The play’s exploration of three different kinds of love is both nuanced and relatable.
Photo courtesy Elizabeth Mandel
By Camille Bounds
Camille Bounds
The Limelight Actors Theater’s production of the comedic drama “On Golden Pond” is a poignant and beautifully crafted play that explores the complexities of love and family relationships. Director Bryan Freeman’s delicate touch brings out the best in each character, resulting in performances that are deep, satisfying, and complete.
The story follows “Norman” and “Ethel” Thayer, a couple who have been visiting their Maine summer cottage on Golden Pond for nearly five decades. Bill Tindall delivers a fine performance as the elderly Norman, a retired professor who still enjoys reading classified ads and teasing his wife about getting a job. Deep down, however, he grapples with his mortality and the uncertainties of the future. Shelia Ellam, who took over the role of Ethel just three days before the performance, is nothing short of amazing in her portrayal of a loyal wife content with the simple pleasures of life. She enjoys their leisure by sitting in the sun and talking to the loons on the lake.
Charlie Martin (Kenny Silberberg) the mailman arrives with a letter from the Thayers’ only child, “Chelsea” (Kristin Lynn). It notes she is coming the celebrate Norman’s 80th birthday and will be bringing her new boyfriend Bill Ray (Doug Brook) and his 13-year-old son Billy Ray (Miriam Shem-Tov). Norman and Ethel agree to keep the boy for a month while Chelsea and her beau go on an European trip.
Photo courtesy Elizabeth Mandel
The arrival of the three brings a new dynamic to the story, adding depth to the relationships explored in the play. As Norman and Billy Jr. bond over fishing and reading during the course of a month, the audience is treated to a heartwarming display of the power of intergenerational connections.
One of the most touching moments of the play comes when Chelsea and Norman finally have a candid conversation, breaking through the emotional barriers that have kept them apart for years. This scene is a testament to the skill of the actors and the director’s ability to create a space for genuine emotional connection.
The play’s exploration of three different kinds of love – the love Norman has for Ethel, Ethel’s love for Norman, and the eventual parental love between Chelsea and Norman – is both nuanced and relatable. Each relationship is given its moment to shine, and the pacing of the scenes keeps the audience engaged throughout.
The stark and simple set design by Andrew Cummings, paired with the lighting by Clara Shem-Tov, perfectly complements the changing moods of each scene. The minimalist approach allows the actors’ performances to take center stage, drawing the audience into the emotional world of the characters.
“On Golden Pond” is a testament to the power of great theater. It is a must-see for anyone who appreciates a well-crafted story, brilliant performances, and the exploration of the universal themes of love and family. This production is a shining example of what community theater can achieve when talent, passion, and dedication come together.
Camille Bounds is the theater reviewer for Morgan Hill Life.
